EXHIBITION

  1. Read more: Hello Stranger!
    Merhaba Yabancı!

    Hello Stranger!

    Beyza Boynudelik, “Hello Stranger!” In his solo exhibition, he creates a fictional universe about the relationships that the urban individual, on whom he has been thinking and producing works in recent years, establishes with himself, the "other" and nature in today's world.
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  2. Read more: Forgetting Istanbul
    İstanbul'u Unutmak

    Forgetting Istanbul

    The "Forgetting Istanbul" exhibition, one of the parallel events of the biennial that will start in September, opens on September 13 at Büyükdere35 in the Büyükdere district, which has been the scene of deep but forgotten memories in Istanbul's memory. The text of the exhibition, consisting of works by Selin Gömüç and Memed Erdener, clears the fog over Istanbul.
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  3. Read more: Unknown Lands Beyond the Wall
    Duvarın Ötesinde Bilinmeyen Topraklar

    Unknown Lands Beyond the Wall

    Melike Kılıç's works can be seen as a multi-layered expression of the language between nature and humans. The artist draws attention to a fairy tale in which the earth's resources are never exhausted, all beauties are possible , the belonging of humans to nature, and the end that occurs today due to concreting .

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  4. Read more: Same Sky
    Aynı Gökyüzü

    Same Sky

    Eylül Ceren Ersöz mostly deals with the connection between individuals and societies in her productions. While doing this analysis Thanks to the choice of materials, an integrated effect appears in his works .
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  5. Read more: Palliative
    Geçici Çare

    Palliative

    Damla Özdemir focuses on the emptiness in her sense of belonging that she has been experiencing lately, the fakeness of the events happening around her, and the socio-cultural position of women in society.
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  6. Read more: Paper Cut
    Kâğıt Kesiği

    Paper Cut

    Paper Cut is an exhibition consisting of Bengisu Bayrak's works of the last five years, focusing on today's different realities around the concepts of remembering and forgetting. Bayrak shapes his artistic practice through the processes of destruction and construction, just like his intellectual practice.
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