In December Flowers

Melih, heavily inspired by the Lowbrow and Pop Surrealism movements, does not hesitate to draw inspiration from different mediums and aesthetic understandings. The subjects he explores in his works intertwine with the dark side of the subconscious while sarcastically mocking societal events.

He concretizes the themes that continue his relationship with childhood, transforming buried dreams and lost memories into disturbing universal archetypes of adolescence in his works.

Melih's figures, highlighted by both boldness and docility, are depicted with a constant smile on their vacant eyes and faces. In their collective formation, they embrace the generosity of ignorance bestowed by childhood. The formation of an exclusive and theatrical "pop" sensibility in his works is thanks to the satire depicted by his figures.